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Art --- Painting --- Londen, Ranger's House --- Kenwood House [London] --- Portraits --- Suffolk, Dukes of --- Portraiture --- Catalogs --- Art collections --- Ranger's House (Blackheath, London, England) --- Greater London Council. --- Ranger's House --- Exhibitions --- Biography --- Pictures

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Wallace Collection (Londen) --- museumcollecties --- Frankrijk --- Wallace Collection [London] --- Wallace Collection (London, England) --- Art --- Catalogues --- Groot-Brittannië --- Duitsland --- Spanje --- Italië --- 19de eeuw --- Nederlanden --- Catalogs --- Art européen --- Art. --- Peinture allemande --- Peinture espagnole --- Peinture européenne --- Peinture française --- Peinture italienne --- peinture européenne --- Wallace Collection (Londres) --- 19e s --- Wallace, Richard, --- Collections d'art. --- Wallace Collection (London, England). --- Wallace Collection (Londres, Angleterre) --- Wallace collection (Londres) --- Catalogs. --- Catalogues. --- England --- Wallace Collection (Londen). --- museumcollecties. --- Groot-Brittannië. --- Duitsland. --- Spanje. --- Italië. --- 19de eeuw. --- Frankrijk. --- Nederlanden.

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Painting --- Grosvenor Gallery [London] --- anno 1800-1899 --- England --- Grosvenor Gallery (Londen) --- patronaat --- verzamelaars --- Victoriaans tijdperk --- Burne-Jones, Edward Coley --- Whistler, James Abbott McNeill --- Watts, George Frederic --- 1877 - 1890 --- 19de eeuw --- Groot-Brittannië --- Grosvenor Gallery (London, England : 1877-1890) --- Exhibitions --- Art [Modern ] --- 19th century --- Aesthetic movement (Art) --- Grosvenor Gallery (London, England : 1877-1890) - Exhibitions. --- Art, Modern - 19th century - England - Exhibitions. --- Aesthetic movement (British art) - Exhibitions. --- Grosvenor Gallery (Londen). --- patronaat. --- verzamelaars. --- Victoriaans tijdperk. --- Burne-Jones, Edward Coley. --- Whistler, James Abbott McNeill. --- Watts, George Frederic. --- 1877 - 1890. --- 19de eeuw. --- Groot-Brittannië.

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Painting --- Museology --- Somerset House [London] --- Royal Academy of Arts [London] --- anno 1700-1799 --- anno 1800-1899 --- Somerset House (Londen) --- tentoonstellingen --- Royal Academy of Arts (Londen) --- 1780 - 1836 --- 18de eeuw --- 19de eeuw --- Groot-Brittannië --- Art --- Art, British --- Art and society --- CDL --- 069 --- Royal Academy of Arts (Great Britain) --- Somerset House (London, England) --- Academy of Arts, Royal --- Great Britain. --- Korolevskai︠a︡ akademii︠a︡ khudozhestv (Great Britain) --- London. --- R.A. (Royal Academy) --- RA --- Royal Academy (Great Britain) --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- 1780 - 1836. --- 18de eeuw. --- 19de eeuw. --- Groot-Brittannië.

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How Rubens obtained the commission is a tale of international politics and diplomacy in which the artist himself played a significant role. The author relates these complex political relationships and missions with great insight and clarity, and in doing so also describes the cultural and social setting in which Rubens found himself while in London. The Flemish artist Peter Paul Rubens is probably the most important foreign artist to have worked in England. The story of how this came to be, of what he did and whom he met when he was there, and what he painted for King Charles I is the story of this book. Charles and his father, the first Stuart monarchs of Great Britain, led and promoted a great wave of interest in the arts, in particular the visual arts that culminated in Rubens painting nine large canvases to decorate the ceiling of Inigo Jones's Banqueting Hall, the ceremonial centre of the Court in Whitehall, a monument that is still in tact today. It is this cycle, an hitherto unappreciated masterpiece of Baroque state art, that is the focus of this book. The illustrations that accompany the text include not only many of Rubens's own paintings and drawings made when he was in London, but also some of the now well-known works by the Italian and North European Renaissance masters that Rubens would have seen in the magnificent art collections of the King and the English aristocracy. Foremost however among the illustrations are the reproductions of the Banqueting Hall ceiling itself: these are mostly in colour, showing each of the three central scenes both complete and with striking details that would be difficult to see in the Hall itself. Also the corner oval paintings as well as the long, celebratory, exuberant processions on either side are reproduced in colour and in detail, so that the reader, guided by the author's full descriptions and interpretations, can experience a unique viewing and understanding of Rubens's masterpiece. --Book Jacket.

Londen, Whitehall, Banqueting House --- diplomacy --- James I [Great Britain] --- Rubens, Peter Paul --- London --- Painting, Flemish --- Peinture flamande --- Rubens, Peter Paul, --- Banqueting House (London, England) --- Great Britain --- Grande-Bretagne --- Intellectual life --- Vie intellectuelle --- diplomaat --- geschiedenis --- politiek --- barok --- Banqueting House (Londen) --- Whitehall Palace (Londen) --- verzamelaars --- Charles I (Koning van Engeland) --- 16de eeuw --- 17de eeuw --- Londen --- Mural painting and decoration --- Ceilings, Painted --- Fresco painting --- Murals --- Painted ceilings --- Painting, Decorative --- Wall decoration --- Wall-painting --- Art --- Decoration and ornament --- Interior decoration --- Painting --- Charles --- Stuart, Charles, --- Rubens, Peter Paul, Sir, --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Criticism and interpretation. --- Art patronage. --- Charles Ier, roi d'Angleterre --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Criticism and interpretation --- Charles I --- Art patronage --- England --- London (England) --- 17th century --- Frescoes --- Frescos --- diplomatie --- Art and state --- Art and society --- History --- Rubens, Petrus Paulus, --- Travel --- Art and state - Great Britain - History - 17th century --- Art and society - England - London - History - 16th Century --- Mural painting and decoration - England - London --- Rubens, Peter Paul, - 1577-1640 - Criticism and interpretation --- Rubens, Peter Paul, - 1577-1640 - Travel - London --- Rubens, Peter Paul, - 1577-1640. - Apotheosis of James I --- Charles - I, - King of England, - 1600-1649 - Art patronage --- Rubens, Petrus Paulus, - 1577-1640 --- Great Britain - Intellectual life - 17th century --- diplomatie. --- geschiedenis. --- politiek. --- barok. --- Banqueting House (Londen). --- Whitehall Palace (Londen). --- verzamelaars. --- Charles I (Koning van Engeland). --- 16de eeuw. --- 17de eeuw. --- Londen. --- Rubens, Peter Paul, - 1577-1640 --- Charles - I, - King of England, - 1600-1649